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Sidney Poitier : man, actor, icon
2004
Where Is It?
Fiction/Biography Profile
Genre
NonFiction
Arts
Topics
African American men
Celebrities
Actors
Hollywood
Motion pictures
Setting
Hollywood, California - West (U.S.)
Time Period
-- 20th-21st century
Large Cover Image
Trade Reviews
Library Journal Review
Goudsouzian (history, Hamilton Coll.) provides a comprehensive overview of Sidney Poitier's Hollywood persona and shows how he became a symbol of the emerging civil rights consciousness in America. The story moves from Poitier's inauspicious beginnings on the Bahamian island of Nassau to the New York theater scene and then to Hollywood. There, through his roles in Guess Who's Coming to Dinner and In the Heat of the Night, Poitier was able to embody the hope and future of African Americans both in his success as a movie star and in the characters he played. However, there were limits to the roles he won, owing more to his being black than to a lack of range, and he also attracted criticism from leaders of the black power movement. In the end, this book effectively weaves the story of race relations in mid-20th-century America with the individual story of America's greatest black actor. While there's more historical detail here than the average reader will want to digest, this is recommended for larger film and African American collections, especially those that had success with Poitier's recent The Measure of a Man: A Spiritual Autobiography.-Michael Tierno, New York (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly Review
Poitier has been revered as the first black superstar and criticized for his saintly, sexless and sentimentalized screen image. In this intriguing biography, Goudsouzian, a Hamilton College history professor, thoughtfully depicts the actor's efforts to handle both praise and damnation. Poitier's is a rags-to-riches story: working as a butcher's assistant and construction worker, he learned to speak properly by listening to radio news reporters. Goudsouzian astutely notes that Poitier's dynamic performance in Joseph Mankiewicz's No Way Out was compromised by studio insistence that his mannerisms never suggest the "slightest animal urge." The true, full-blooded Poitier burst forth in 1955's The Blackboard Jungle, and he won a 1963 Best Actor Oscar for Lilies of the Field. But details of Poitier's triumphs never soften the book's hard-hitting, political tone. One memorable passage tells of Poitier's efforts to secure a hotel room in 1956 in Nairobi. He was turned away until the hotel manager discovered Poitier's Something of Value salary was $30,000 and commented, "anyone who makes thirty thousand dollars for three months work is not black." Goudsouzian covers Poiter's romances with model/dancer Juanita Hardy, actress/singers Diahann Carroll and Eartha Kitt and actress Joanna Shimkus. Goudsouzian understands the dynamics behind Poitier's pictures, and carefully analyzes Guess Who's Coming to Dinner, A Patch of Blue and To Sir, with Love. Intense anecdotes highlighting Poitier's temper, occasional womanizing and insecurities keep him from appearing as a distant icon. The story loses steam in its final passages, but ends on a high note when Poitier admits, "I set out to prove to myself that I was capable of moving a mountain." (Mar. 29) (c) Copyright PWxyz, LLC. All rights reserved
CHOICE Review
Instrumental in breaking down barriers for African Americans in Hollywood, Poitier was the first African American to win an Academy Award for best actor (for Lilies of the Field, 1963). Analyzing Poitier's plays, films, and television performances--particularly in the perspective of the Civil Rights era--Goudsouzian (history, Hamilton College) does an admirable job of chronicling Poitier's life and career. Goudsouzian devotes considerable discussion to the type of character Poitier often portrayed: a man who was noble, well mannered, devoid of any sexuality--and consequently immune to the backlash and criticism that might ensue. Although Goudsouzian has written the best biography on Poitier to date, the book does have some weaknesses. The author had only "sporadic telephone conversations" with Poitier, and did not interview any of his contemporaries or his detractors; he glosses over some aspects of Poitier's life (for example the profound influence of his parents and his years in psychoanalysis). Those seeking a well-rounded perspective should read this book in conjunction with Poitier's autobiographies, This Life (CH, Oct'80) and The Measure of a Man (2000). The present volume includes endnotes, an extensive bibliography, and a detailed list of Poitier's performances in feature films, television and drama specials, Broadway plays, and spoken-word albums. ^BSumming Up: Highly recommended. All collections. C. McCutcheon University of South Carolina--Spartanburg
Booklist Review
Lots of celebrity bios are cranked out every year, but few are written with the serious scholarly intent of Goudsouzian's study of actor, director, and role model Poitier. Borrowing a page from many great literary biographers of the past half century (Deirdre Bair, Peter Ackroyd, Michael Holroyd), Goudsouzian chronicles Poitier's time and places him within it. Poitier's career alone makes fascinating reading. The son of a poor farmer eking out a living on Cat Island in the Bahamas, Poitier survived to thrive first in theater and then the movies, rising from early roles with the Harlem-based American Negro Theatre and in films like Blackboardungle to become one of the best known African American actors. But this book is no hagiography. Goudsouzian recounts the controversies Poitier became enmeshed in, from Clare Luce Booth's attempts to remove Blackboardungle from the Venice Film Festival because it reflected poorly on America to boycotts of Poitier's films in the South to backlash against him in the late 1960s and early 1970s as radical black leaders accused him of playing to the status quo by portraying characters who--dignified, stoical, but sexless--were least threatening to the dominant white culture. Goudsouzian's willingness to consider all aspects of Poitier's life and image accounts for why this biography reads like a well-written, highly addictive novel. --Jack Helbig Copyright 2004 Booklist
Summary

In the first full biography of actor Sidney Poitier, Aram Goudsouzian analyzes the life and career of a Hollywood legend, from his childhood in the Bahamas to his 2002 Oscar for lifetime achievement. Poitier is a gifted actor, a great American success story, an intriguing personality, and a political symbol; his life and career illuminate America's racial history.



In such films as Lilies of the Field , In the Heat of the Night , and Guess Who's Coming to Dinner , Poitier's middle-class, mannered, virtuous screen persona contradicted prevailing film stereotypes of blacks as half-wits, comic servants, or oversexed threats. His screen image and public support of nonviolent integration assuaged the fears of a broad political center, and by 1968, Poitier was voted America's favorite movie star.



Through careful readings of every Poitier film, Goudsouzian shows that Poitier's characters often made sacrifices for the good of whites and rarely displayed sexuality. As the only black leading man during the civil rights era, Poitier chose roles and public positions that negotiated the struggle for dignity. By 1970, times had changed and Poitier was the target of a backlash from film critics and black radicals, as the new heroes of blaxploitation movies reversed the Poitier model.



In the 1970s, Poitier shifted his considerable talents toward directing, starring in, and producing popular movies that employed many African Americans, both on and off screen. After a long hiatus, he returned to starring roles in the late 1980s. More recently, the film industry has reappraised his career, and Poitier has received numerous honors recognizing his multi-faceted work for black equality in Hollywood. As this biography affirms, Poitier remains one of American popular culture's foremost symbols of the possibilities for and limits of racial equality.

Table of Contents
Acknowledgmentsp. xi
Introductionp. 1
Part IPoverty and Progress
1Patches (1927-1943)p. 7
2Great Migrations (1943-1945)p. 25
3Stages (1945-1949)p. 43
Part IIRace Man
4Message Movies (1949-1952)p. 63
5Black Lists (1951-1954)p. 84
6Threats (1955-1957)p. 103
7Noble Savages (1956-1957)p. 123
Part IIIBlack Man's Burden
8Decisions (1957-1959)p. 145
9Burdens (1959-1961)p. 167
10Blues (1960-1962)p. 189
11Long Journeys (1963-1964)p. 208
Part IVAlone in the Penthouse
12Crossroads (1965-1966)p. 231
13Useful Negroes (1966-1967)p. 253
14Last Hurrahs (1967-1968)p. 277
Part VThrough Playing God
15Exiles (1967-1971)p. 315
16Survivors (1972-1978)p. 337
17Ghosts (1978-2002)p. 358
AppendixPerformances by Sidney Poitierp. 381
Notesp. 397
Bibliographyp. 447
Indexp. 467
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