Only a few Westerns contain explicitly Jewish stories or themes, and very rarely do Old West tales involve identifiably Jewish characters. Yet Jewish contributors have shaped the Western--once Hollywood's most popular genre--ever since the silent era, both onscreen and offscreen, and some filmmakers have sought to infuse the genre with a distinctly Jewish sensibility. In Chai Noon, Jonathan L. Friedmann applies some of the central questions of Jewish film studies to the Western: What makes a movie "Jewish"? What counts as a "Jewish image" onscreen? What types of Jewish representation are appropriate? How much of a film's "Jewishness" is owed to the filmmakers and how much to the viewer's interpretation?
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